{"id":762,"date":"2019-02-16T23:14:26","date_gmt":"2019-02-16T22:14:26","guid":{"rendered":"https:\/\/www.cadrinet.com\/ewi\/?p=762"},"modified":"2019-02-17T03:37:42","modified_gmt":"2019-02-17T02:37:42","slug":"notre-dame-de-paris-le-temps-des-cathedrales","status":"publish","type":"post","link":"https:\/\/www.cadrinet.com\/ewi\/2019\/02\/16\/notre-dame-de-paris-le-temps-des-cathedrales\/","title":{"rendered":"Notre-Dame de Paris &#8211; Le temps des Cath\u00e9drales"},"content":{"rendered":"<p>En 1998, la com\u00e9die musicale de Richard Cocciante (musique) et Luc Plamondon (paroles) fut un \u00e9v\u00e9nement. <br>Luc Plamondon \u00e9tait d\u00e9j\u00e0 l&rsquo;auteur de Starmania, avec Michel Berger. <br>Les chansons de cette com\u00e9die musicale connurent (tout comme Starmania) un succ\u00e8s \u00e9norme.<\/p>\r\n<p>J&rsquo;ai repris ici Le Temps des Cath\u00e9drales, reconnaissable entre mille par cette mont\u00e9e vocale qui demande au chanteur une voix \u00e0 la hauteur (c&rsquo;est le cas de le dire). &nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<figure class=\"wp-block-audio\">\r\n<figcaption>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-762-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/02\/Notre-Dame-de-Paris-Le-temps-des-Cath\u00e9drales-Eb-E-E.mp3?_=1\" \/><a href=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/02\/Notre-Dame-de-Paris-Le-temps-des-Cath\u00e9drales-Eb-E-E.mp3\">https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/02\/Notre-Dame-de-Paris-Le-temps-des-Cath\u00e9drales-Eb-E-E.mp3<\/a><\/audio>\r\n<em>Richard Cocciante &#8211; Le temps des cath\u00e9drales &#8211; XpressO Fl\u00fbte 2 <br><br><\/em><\/figcaption>\r\n<\/figure>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&nbsp; <strong>Configuration <\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li><a href=\"https:\/\/fr.audiofanzine.com\/vent-electronique\/akai\/ewi-5000\/\">Akai Ewi 5000<\/a><\/li>\r\n<li><a href=\"https:\/\/dynasample.com\/xpresso\">DynaSample XpressO<\/a> : registr<em>e Fl\u00fbte 2 <\/em><\/li>\r\n<li>BackTrack : fichier de karaok\u00e9 import\u00e9 dans Audacity<\/li>\r\n<li>Mixage : table <a href=\"https:\/\/fr.audiofanzine.com\/console-fw-usb-mlan\/behringer\/xenyx-q502usb\/\">Behringer Xenyx Q502 USB<\/a><\/li>\r\n<li>Enregistrement : logiciel open source <a href=\"http:\/\/audacity.fr\/\">Audacity<\/a> sur PC<\/li>\r\n<\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Connectique :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Ewi reli\u00e9 \u00e0 l&rsquo;XpressO par le c\u00e2ble Usb<\/li>\r\n<li>XpressO reli\u00e9 \u00e0 la table de mixage via la sortie Line (jack mono 6.35mm -&gt; prise micro 6.35)<\/li>\r\n<li>BackTrack sur PC reli\u00e9 \u00e0 la table de mixage via la sortie casque (jack audio 3.5mm -&gt; Audio In 2 prises Cinch)<\/li>\r\n<li>Table de mixage reli\u00e9e au PC depuis la sortie USB<\/li>\r\n<li>Enregistrement de la sortie mix\u00e9e dans Audacity<\/li>\r\n<li>Exportation du r\u00e9sultat en MP3<\/li>\r\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>En 1998, la com\u00e9die musicale de Richard Cocciante (musique) et Luc Plamondon (paroles) fut un \u00e9v\u00e9nement. Luc Plamondon \u00e9tait d\u00e9j\u00e0 l&rsquo;auteur de Starmania, avec Michel Berger. Les chansons de cette com\u00e9die musicale connurent (tout comme Starmania) un succ\u00e8s \u00e9norme. J&rsquo;ai&#8230; <a href=\"https:\/\/www.cadrinet.com\/ewi\/2019\/02\/16\/notre-dame-de-paris-le-temps-des-cathedrales\/\" class=\"readmore\">Lire la suite&#8230;<span class=\"screen-reader-text\">Notre-Dame de Paris &#8211; Le temps des Cath\u00e9drales<\/span><span class=\"fa fa-angle-double-right\" aria-hidden=\"true\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[32,40,21,33,41],"class_list":["post-762","post","type-post","status-publish","format-standard","hentry","category-audios","category-enregistrements","tag-audio","tag-dynasample","tag-enregistrement","tag-mp3","tag-xpresso","content-layout-excerpt-thumb"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paHrh2-ci","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/comments?post=762"}],"version-history":[{"count":0,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/762\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/media?parent=762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/categories?post=762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/tags?post=762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}