{"id":706,"date":"2019-01-28T23:02:19","date_gmt":"2019-01-28T22:02:19","guid":{"rendered":"https:\/\/www.cadrinet.com\/ewi\/?p=706"},"modified":"2019-02-22T10:59:10","modified_gmt":"2019-02-22T09:59:10","slug":"tennessee-ernie-ford-sixteen-tons","status":"publish","type":"post","link":"https:\/\/www.cadrinet.com\/ewi\/2019\/01\/28\/tennessee-ernie-ford-sixteen-tons\/","title":{"rendered":"Tennessee Ernie Ford &#8211; Sixteen Tons"},"content":{"rendered":"<p>De ce morceau, je connaissais surtout la version des Platters. Mais \u00e0 l&rsquo;\u00e9coute sur internet, une autre version &#8211; h\u00e9las un peu trop rapide &#8211; mais bien mieux orchestr\u00e9e (pour jouer au saxo, bien entendu) m&rsquo;a accroch\u00e9e.<\/p>\r\n<p>Elle est chant\u00e9e par Tennessee Ernie Ford. Chanteur inconnu jusqu&rsquo;alors pour moi. Mais la version rend mieux. J&rsquo;ai donc opt\u00e9 pour un son de saxo assez grave, moins dans la tonalit\u00e9 de ce chanteur inconnu mais plus proche de la version des Platters.<\/p>\r\n<p>Apr\u00e8s une p\u00e9riode de travail non n\u00e9gligeable pass\u00e9e \u00e0 calculer et rep\u00e9rer les ruptures de rythme &#8211; ce qui fait tout l&rsquo;int\u00e9r\u00eat de ce morceau tr\u00e8s syncop\u00e9 &#8211; voici donc une version de cette chanson.<\/p>\r\n<p>&nbsp;<\/p>\r\n<figure class=\"wp-block-audio\">\r\n<figcaption>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-706-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Tennessee-Ernie-Ford-Sixteen-Tons-Eb-E-K.mp3?_=1\" \/><a href=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Tennessee-Ernie-Ford-Sixteen-Tons-Eb-E-K.mp3\">https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Tennessee-Ernie-Ford-Sixteen-Tons-Eb-E-K.mp3<\/a><\/audio>\r\n<em>Tennessee Ernie Ford &#8211; Sixteen Tons &#8211; XpressO Tenor Sax &lsquo;Round Midnight Bite Vibe <br><br><\/em><\/figcaption>\r\n<\/figure>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Configuration <\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Akai Ewi 5000<\/li>\r\n<li><a href=\"https:\/\/dynasample.com\/xpresso\">DynaSample XpressO<\/a> : registre Tenor Sax &lsquo;Round Midnight Bite Vibe<\/li>\r\n<li>BackTrack : pr\u00e9c\u00e9dent fichier MP3 import\u00e9 dans Audacity<\/li>\r\n<li>Mixage : table Behringer Xenyx Q502 USB<\/li>\r\n<li>Enregistrement : logiciel open source <a href=\"http:\/\/audacity.fr\/\">Audacity<\/a> sur PC<\/li>\r\n<\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Connectique :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Ewi reli\u00e9 \u00e0 l&rsquo;XpressO par le c\u00e2ble Usb<\/li>\r\n<li>XpressO reli\u00e9 \u00e0 la table de mixage via la sortie Line (jack mono 6.35mm -&gt; prise micro 6.35)<\/li>\r\n<li>BackTrack sur PC reli\u00e9 \u00e0 la table de mixage via la sortie casque (jack audio 3.5mm -&gt; Audio In 2 prises Cinch)<\/li>\r\n<li>Table de mixage reli\u00e9e au PC depuis la sortie USB<\/li>\r\n<li>Enregistrement de la sortie mix\u00e9e dans Audacity<\/li>\r\n<li>Exportation du r\u00e9sultat en MP3<\/li>\r\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>De ce morceau, je connaissais surtout la version des Platters. Mais \u00e0 l&rsquo;\u00e9coute sur internet, une autre version &#8211; h\u00e9las un peu trop rapide &#8211; mais bien mieux orchestr\u00e9e (pour jouer au saxo, bien entendu) m&rsquo;a accroch\u00e9e. Elle est chant\u00e9e&#8230; <a href=\"https:\/\/www.cadrinet.com\/ewi\/2019\/01\/28\/tennessee-ernie-ford-sixteen-tons\/\" class=\"readmore\">Lire la suite&#8230;<span class=\"screen-reader-text\">Tennessee Ernie Ford &#8211; Sixteen Tons<\/span><span class=\"fa fa-angle-double-right\" aria-hidden=\"true\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[32,40,21,33,41],"class_list":["post-706","post","type-post","status-publish","format-standard","hentry","category-audios","category-enregistrements","tag-audio","tag-dynasample","tag-enregistrement","tag-mp3","tag-xpresso","content-layout-excerpt-thumb"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paHrh2-bo","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/comments?post=706"}],"version-history":[{"count":0,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/706\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/media?parent=706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/categories?post=706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/tags?post=706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}