{"id":623,"date":"2019-01-11T00:51:05","date_gmt":"2019-01-10T23:51:05","guid":{"rendered":"https:\/\/www.cadrinet.com\/ewi\/?p=623"},"modified":"2019-01-11T02:52:27","modified_gmt":"2019-01-11T01:52:27","slug":"henri-salvador-une-chanson-douce-2-voix","status":"publish","type":"post","link":"https:\/\/www.cadrinet.com\/ewi\/2019\/01\/11\/henri-salvador-une-chanson-douce-2-voix\/","title":{"rendered":"Henri Salvador &#8211; Une chanson douce (2 voix)"},"content":{"rendered":"<p>Avec la d\u00e9couverte du son du saxo \u00ab\u00a0Legit Tenor\u00a0\u00bb et le travail sur la chanson pr\u00e9c\u00e9dente de Frank Sinatra, j&rsquo;ai voulu tester une seconde voix.<\/p>\r\n<p>Elle est venue naturellement sur Henri Salvador. La m\u00e9lodie est simple. Le rendu ne me semble pas trop mauvais. \u00c0 suivre&#8230;<\/p>\r\n<figure class=\"wp-block-audio\">\r\n<figcaption>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-623-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Henri-Salvador-Une-chanson-douce-2voix-c-db_c.mp3?_=1\" \/><a href=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Henri-Salvador-Une-chanson-douce-2voix-c-db_c.mp3\">https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2019\/01\/Henri-Salvador-Une-chanson-douce-2voix-c-db_c.mp3<\/a><\/audio>\r\n<em>&nbsp;&nbsp; Henri Salvador &#8211; Une chanson douce (2 voix) &#8211;&nbsp; XpressO saxo \u00ab\u00a0Legit Tenor<\/em><em>\u00ab\u00a0pour la 2eme voix. <br><br><\/em><\/figcaption>\r\n<\/figure>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&nbsp; &nbsp; <strong>Configuration <\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Akai Ewi 5000<\/li>\r\n<li><a href=\"https:\/\/dynasample.com\/xpresso\">DynaSample XpressO<\/a> : registre saxo \u00ab\u00a0Legit Tenor\u00a0\u00bb<\/li>\r\n<li>BackTrack : pr\u00e9c\u00e9dent fichier MP3 import\u00e9 dans Audacity<\/li>\r\n<li>Mixage : table Behringer Xenyx Q502 USB<\/li>\r\n<li>Enregistrement : logiciel open source <a href=\"http:\/\/audacity.fr\/\">Audacity<\/a> sur PC<\/li>\r\n<\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Connectique :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Ewi reli\u00e9 \u00e0 l&rsquo;XpressO par le c\u00e2ble Midi<\/li>\r\n<li>XpressO reli\u00e9 \u00e0 la table de mixage via la sortie Line (jack mono 6.35mm -&gt; prise micro 6.35)<\/li>\r\n<li>BackTrack sur PC reli\u00e9 \u00e0 la table de mixage via la sortie casque (jack audio 3.5mm -&gt; Audio In 2 prises Cinch)<\/li>\r\n<li>Table de mixage reli\u00e9e au PC depuis la sortie USB<\/li>\r\n<li>Enregistrement de la sortie mix\u00e9e dans Audacity<\/li>\r\n<li>Exportation du r\u00e9sultat en MP3al<\/li>\r\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Avec la d\u00e9couverte du son du saxo \u00ab\u00a0Legit Tenor\u00a0\u00bb et le travail sur la chanson pr\u00e9c\u00e9dente de Frank Sinatra, j&rsquo;ai voulu tester une seconde voix. Elle est venue naturellement sur Henri Salvador. La m\u00e9lodie est simple. Le rendu ne me&#8230; <a href=\"https:\/\/www.cadrinet.com\/ewi\/2019\/01\/11\/henri-salvador-une-chanson-douce-2-voix\/\" class=\"readmore\">Lire la suite&#8230;<span class=\"screen-reader-text\">Henri Salvador &#8211; Une chanson douce (2 voix)<\/span><span class=\"fa fa-angle-double-right\" aria-hidden=\"true\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[32,21,33,41],"class_list":["post-623","post","type-post","status-publish","format-standard","hentry","category-audios","category-enregistrements","tag-audio","tag-enregistrement","tag-mp3","tag-xpresso","content-layout-excerpt-thumb"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paHrh2-a3","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/comments?post=623"}],"version-history":[{"count":0,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/623\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/media?parent=623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/categories?post=623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/tags?post=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}