{"id":431,"date":"2018-11-09T23:04:17","date_gmt":"2018-11-09T22:04:17","guid":{"rendered":"https:\/\/www.cadrinet.com\/ewi\/?p=431"},"modified":"2018-11-10T03:16:40","modified_gmt":"2018-11-10T02:16:40","slug":"bourvil-la-tendresse","status":"publish","type":"post","link":"https:\/\/www.cadrinet.com\/ewi\/2018\/11\/09\/bourvil-la-tendresse\/","title":{"rendered":"Bourvil &#8211; La tendresse"},"content":{"rendered":"<p>Ah cette chanson&#8230; intemporelle, une \u00e9motion pure&#8230; la voix si fragile de l&rsquo;immense Bourvil, cette fra\u00eecheur permanente qu&rsquo;il d\u00e9gageait&#8230; j&rsquo;en ai presque toujours la chair de poule en l&rsquo;\u00e9coutant&#8230;<\/p>\r\n<p>Alors la jouer, une gageure ? il fallait pourtant que je me lance, impossible de passer \u00e0 c\u00f4t\u00e9 ! j&rsquo;esp\u00e8re que le r\u00e9sultat n&rsquo;est pas trop mauvais&#8230;<\/p>\r\n<p>J&rsquo;ai choisi un instrument doux, la fl\u00fbte de Pan&#8230; elle permet l\u00e9g\u00e8ret\u00e9 et douceur&#8230;<\/p>\r\n<audio class=\"wp-audio-shortcode\" id=\"audio-431-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2018\/11\/Bourvil-La-tendresse-b-a.mp3?_=1\" \/><a href=\"https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2018\/11\/Bourvil-La-tendresse-b-a.mp3\">https:\/\/www.cadrinet.com\/ewi\/wp-content\/uploads\/2018\/11\/Bourvil-La-tendresse-b-a.mp3<\/a><\/audio>\r\n<figure class=\"wp-block-audio\">\r\n<figcaption><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; Bourvil &#8211; La tendresse &#8211; Ewi &#8211; Fl\u00fbte de Pan <br><br><\/em><\/figcaption>\r\n<\/figure>\r\n<!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>&nbsp; <strong>Configuration :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Akai Ewi 5000 : registre Fl\u00fbte de Pan (registre interne AKAI)<\/li>\r\n<li>Backtrack : Fichier MP3 de karaok\u00e9 import\u00e9 dans Audacity<\/li>\r\n<li>Mixage : table Behringer Xenyx Q502 Usb<\/li>\r\n<li>Enregistrement : logiciel open source <a href=\"http:\/\/audacity.fr\/\">Audacity<\/a> sur PC<\/li>\r\n<\/ul>\r\n<!-- \/wp:list -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Connectique :<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:list -->\r\n<ul>\r\n<li>Ewi reli\u00e9 \u00e0 la table de mixage via la sortie Line (jack mono 6.35mm -&gt; prise micro 6.35)<\/li>\r\n<li>BackTrack sur PC reli\u00e9 \u00e0 la table de mixage via la sortie casque (jack audio 3.5mm -&gt; Audio In 2 prises Cinch)<\/li>\r\n<li>Table de mixage reli\u00e9e au PC depuis la sortie USB<\/li>\r\n<li>Enregistrement de la sortie mix\u00e9e dans Audacity<\/li>\r\n<li>Exportation du r\u00e9sultat en MP3<\/li>\r\n<\/ul>\r\n<p>Je suis revenu \u00e0 la configuration qui me semble la meilleure pour l&rsquo;instant, la plus simple : le mixage est fait par ma table de mixage externe, et Audacity enregistre la sortie.<\/p>\r\n<p>Il faut juste amplifier un peu le son dans Audacity pour ne pas perdre du volume \u00e0 l&rsquo;export. \u00c0 ne pas le faire auparavant, j&rsquo;ai parfois eu des enregistrements moins audibles&#8230; c&rsquo;est dommage.<\/p>","protected":false},"excerpt":{"rendered":"<p>Ah cette chanson&#8230; intemporelle, une \u00e9motion pure&#8230; la voix si fragile de l&rsquo;immense Bourvil, cette fra\u00eecheur permanente qu&rsquo;il d\u00e9gageait&#8230; j&rsquo;en ai presque toujours la chair de poule en l&rsquo;\u00e9coutant&#8230; Alors la jouer, une gageure ? il fallait pourtant que je&#8230; <a href=\"https:\/\/www.cadrinet.com\/ewi\/2018\/11\/09\/bourvil-la-tendresse\/\" class=\"readmore\">Lire la suite&#8230;<span class=\"screen-reader-text\">Bourvil &#8211; La tendresse<\/span><span class=\"fa fa-angle-double-right\" aria-hidden=\"true\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[32,21,33],"class_list":["post-431","post","type-post","status-publish","format-standard","hentry","category-audios","category-enregistrements","tag-audio","tag-enregistrement","tag-mp3","content-layout-excerpt-thumb"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paHrh2-6X","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/comments?post=431"}],"version-history":[{"count":0,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/posts\/431\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/media?parent=431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/categories?post=431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cadrinet.com\/ewi\/wp-json\/wp\/v2\/tags?post=431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}